That song is really just about the mystery of why we're all here and what's holding it all together, you know?" During an interview Slade mentions that ".they're looking for the God Particle, basically, the particle that holds it all together. In addition the eight track on the album titled "Munich" follows the same mode of inspiration, as it is inspired by a particle collider in Switzerland. Not to sound cliché, but we all as people build these walls that don't really come down until someone comes into our lives, tears them down, and says, 'Enough!'" I think that's how our relationships can be sometimes. They're both German, but in a sense, they were as far from each other as they could possibly be. "We wrote that song about The Berlin Wall and the division it represented in regards to one unified city becoming two cities still under the covering of a country. Īlso the song the sixth track titled "1961", personifies the Berlin Wall, as two brothers that are at odds with each other, but it makes you wonder about the third brother mentioned, America: In the midst of their conversation she held his hand, and he could feel a pulse, but was unable to tell if it was his pulse or hers. Slade talked about his encounter with an expatriate woman who was talking about the genocides in Rwanda. For instance, the first single " Heartbeat" was inspired by a trip to Rwanda. The band wrote over 70 songs, and narrowed it down to what they hoped were the, most of which were heavily influenced by their travels abroad. In addition, the band made the single "The Fighter" available for download.ĭuring an interview with Vevo the band revealed that they used part of the album's budget to travel and see the world before writing and recording songs for Scars and Stories. On Decemthe deluxe edition of the album became available for pre-order on iTunes, featuring 5 bonus tracks all covers. The album was made available to pre-order on Octoon the band's website. The album artwork was revealed on Novemfollowing the video premiere of the first single, Heartbeat. They are not like wounds necessarily, but they're still kind of a road map of where you been, and sometimes kinda point to where you want to go." "We've been through a lot of stuff personally, and as band we're still together, and I think we like the idea of scars you know, because they're healed you know. He went on to explain that each of the band members have been through a lot of hardships, but collectively they were able to pull through. During a performance at the Hard Rock cafe in Boston, Massachusetts, Isaac Slade stated that the album Scars & Stories was named after a B-side that did not make it onto the third record.
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Unlike their debut album How to Save a Life and their self-titled second album, which were both produced by Aaron Johnson and Mike Flynn, their third album was produced by Brendan O'Brien. Big in sound and ambitious in scope, Scars & Stories aims for a wide audience but doesn’t lose its humanity in the process.Scars & Stories was recorded beginning in March 2011, and concluded in July 2011. Lead singer Isaac Slade continues to project a heroic (if tormented) presence in defiantly idealistic numbers like “Heartbeat,” “Here We Are," and “The Fighter.” He takes on a seafarer's spirit in “The Wind” and delivers a compelling romantic vignette in “Rainy Zurich.” The band’s underlying Christian faith is expressed most clearly in the stately, hymn-like “Be Still.” At its best, The Fray has the power to disarm the most cynical listener with a heartfelt ballad-it does that here in “I Can Barely Say,” a falsetto-tinged confession of need draped with dramatic orchestration. Producer Brendan O’Brien pushes The Fray toward a more muscular, aggressive sound while retaining the graceful piano interludes that defined the band’s earlier work. On its third album, The Fray journeys across physical and emotional landscapes as it fortifies its music with a bolder production approach.
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